For her second solo exhibition at Monya Rowe Gallery, Erin Milez continues to examine the impact of motherhood and the complex changes – psychologically and physically – that accompany it. Milez says: “I see my feeling of metamorphosis reflected in various places: in Lucy Jones’ explanation of matrescence and becoming chimeras, “never being singular again”, even on a genetic level; in Tetsuya Ishida’s work, though his embodies a more hopeless and dehumanized transformation in laboring tasks; in Nightbitch where Amy Adams is transformed into a dog because of the primal and physical demands of creation and mothering.”